DJEMBE-L FAQ The Beginner's Path - Paradiddles
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From: Adam Rugo <amrugo@artsci.wustl.edu>
Sent: Monday, March 06, 2000 11:45 PM
Paradiddles
Paradiddles are a rudimental exercise for stick drummers and can be
useful for learning the "handing" for djembe. R. has already posted
the handing, but here it is again:
B/b = base
T/t = tone
S/s = Slap
R/r = right
L/l = left
1) R L R R L R L L (that's one cycle of the exercise)
You can change the order of the "diddles" and the "paras":
2) R L L R L R R L
3) R R L R L L R L
4) R L R L L R L R
The traditional to play them is with accent on the beat after the
"diddle":
1) R l r r L r l l
2) r l l R l r r L
3) r r L r l l R l
4) r L r l l R l r
The original purpose of paradiddle was for snare drummers to develop the double
stroke. Each stroke of the double should be as clean as each single stroke in
the exercise. It's all about controlling stick bounce. The essence of the exercise
is somewhat lost on djembe, an instrument which does not typically make use of stick
bounce.
Then again, a paradiddle sets up a cool accent pattern, especially if you play each
hand on a different sound source (left hand on high conga, right hand on low; left
hand on djembe tones, right hand on slaps). You could work the exercise the way
Giovanni Hidalgo, the Puerto Rican conga master, does on tumbadoras: play each
double as a heel-toe combination.
Or just work on playing bare-handed doubles at lightning speed!
You said your friend asked about the paradiddles and the djembe. While the
paradiddle is a useful stick rudiment that can be used in some ways for djembe, I
would suggest djembe-oriented rudiments as the focus of your practice. Here are two
(out of literally hundreds):
B t T b S s
R l R l R l
T b B s B b
R l R l R l